India’s DTH television sector continued to face challenges in Q2 FY26, with key operators’ financial results reflecting a drop in active subscribers and a growing shift toward connected TV and OTT platforms. According to e4m, Dish TV’s Q2 FY26 revenue fell 25.2 per cent to Rs. 299.2 crore from Rs. 400 crore in the same quarter last year, reflecting continued operational weakness. Airtel Digital TV posted nearly stable revenue of Rs 753 crore, down 0.66 per cent from Q2 FY25. In H1 FY26, Dish TV’s income declined 26.5 per cent to Rs. 633.4 crore, while Airtel Digital TV recorded Rs. 1,516 crore, a slight 1.24 per cent dip. Tata Play’s FY25 revenue fell 5.05 per cent to Rs. 4,109 crore. Sun Direct did not release Q2 figures, but its first nine months of FY25 saw a 9.88 per cent decline to Rs. 939 crore.  

Asianetnews.com has unveiled the India H.O.G. Rally 2025, an exclusive celebration of Harley-Davidson heritage and community, scheduled for December 19–20 at Morjim Beach, Goa. The event promises to bring together Harley owners and enthusiasts from across the country for two days of high-octane camaraderie and coastal revelry. Hosted by the Epicenter Chapter (Nagpur) and the Iron Ore Chapter (Raipur), the invitation-only rally will feature signature Harley rides, curated meet-and-greet sessions, live music, and the prestigious H.O.G. Awards Ceremony—honouring standout riders and chapters. The event is supported by key partners including Nayara Energy, Union Bank of India, Motul, and Farzi Beach, underscoring its stature as a flagship gathering for India’s Harley-Davidson community.  

In the dynamic news ecosystem dominated by algorithms, trends and shrinking patience in reading stories, feature writers continue to hold onto one of the most enduring crafts of journalism: deep, human-centred storytelling. Shaped by observation, live encounters or patient searches for the right voice, feature journalists remain committed to their nuance and narrative, even when the industry shifts.   For independent journalist Riddhi Doshi, becoming a feature writer was a “natural trajectory,” shaped by her early work in lifestyle, luxury, and the arts, beats that naturally lean toward narrative storytelling. With over 20 years in journalism, including 15 as a feature writer, she says the best ideas come from reading widely and staying alert to everyday moments. “I’ve found ideas in a friend’s comment, something overheard on a train, or even a taxi driver’s remark. Ideas are everywhere; you just have to see and listen,” she says.&

A recent incident involving the false announcement of veteran actor Dharmendra’s “death” on television and on the social media accounts of several journalists has reignited concerns about how the race to break news first is eroding basic journalistic checks. The unverified update, triggered by a misleading social media post, was aired within minutes and spread rapidly online before the actor’s family confirmed he was alive and recovering. Despite the clarification, the rumour continued to circulate across platforms. The episode has renewed calls for stronger editorial safeguards, particularly during live broadcasts where competitive pressure is highest. It has also highlighted the emotional and professional strain faced by journalists who are often subjected to intense trolling over real or perceived errors. Senior entertainment journalist Rohit Khilnani said the problem reflects a larger crisis in newsrooms. “Whatever the pressure, a journalist’s first responsibility i

  The Ministry of Information and Broadcasting (MIB) has issued a formal advisory to digital news platforms and social media intermediaries regarding online content linked to the Red Fort blasts, which may inadvertently incite unlawful activity. According to Adgully, the advisory highlighted posts featuring individuals allegedly connected to the incident, commentary appearing to justify violence, and videos demonstrating explosive-making methods. The advisory, issued by Deputy Secretary Arpitha S with approval from the competent authority, outlines two key expectations for digital platforms: first, to exercise maximum discretion and sensitivity when reporting on terror-related incidents or individuals; and second, to avoid publishing visuals or narratives that could serve as guides or motivation for unlawful acts. In a bid to ensure compliance, the advisory has also been circulated to industry self-regulatory bodies. The move reflects the government’s broader push for digital

  The Editors Guild has raised concerns over the newly notified DPDP Rules, 2025, saying they fail to address key issues for journalists and media organisations, potentially undermining press freedom. In a statement issued on Wednesday, the Guild noted that several gaps identified in the DPDP Act, 2023, including the dilution of the Right to Information framework and the absence of exemptions for journalistic work, remain unaddressed. Following a meeting with MeitY in July 2025, the Guild submitted 35 questions seeking clarity on consent, exemptions, data retention, research, and public-interest reporting. According to BMI, the Guild has not received any formal response from the government since the consultation. The newly notified DPDP Rules retain “ambiguous obligations around consent,” which could expose journalists and newsrooms to compliance requirements that may hinder routine reporting. Without explicit exemptions or clear guidance, journalistic work could be constru

Man of Many founder Scott Purcell has officially announced the news Editor-in-Chief Nick Hall (pictured) is departing the outlet as the search continues for a replacement.  “Some sad news today!”, said Purcell on LinkedIn. “After nearly 6 years defining the voice of our brand, Nick Hall will be signing off as Editor-in-Chief of Man of Many at the end of this week,” said Purcell.  “Nick has been instrumental in transforming Man of Many from a digital challenger into an undisputed market leader, and we are inducting him into our own 'Hall of Fame' (pun very much intended!) as he departs. “Nick joined us back in March 2020, just days before the world went into lockdown. Navigating a media company (which are intense environments at the best of times) through that level of global uncertainty is no small feat, yet Nick managed to thrive and secure multiple award wins, including being recognised as Editor of the Year, most recently w