Bloomberg Media has launched a new digital video platform that brings its live TV, original shows, and on-demand content into one place. The updated experience is now available worldwide on Bloomberg’s website and through a new “Stream” tab on its mobile app, with plans to expand to other streaming platforms by the third quarter of 2026. The platform combines over two million hours of Bloomberg TV, Originals, and digital video. It is designed to help viewers easily find video news, analysis, and documentaries across devices. It also brings live broadcasts, podcasts, and video programmes together in a single space, with improved streaming quality and faster loading. Bloomberg said the new system allows its editorial teams to quickly highlight breaking news and important stories. The redesign also places greater emphasis on mobile viewing and short-form videos, while some content will now be available only to paid subscribers. The launch includes new and returning

This year marks Pickr’s 10th anniversary, which according to founder and editor Leigh Stark, means it’s now a pre-teen.  And to celebrate the milestone, he’s introduced new features to the site.  “Where this whole concept started was the idea of making the web page just completely more useful for everyone, whether on mobile or desktop,” Stark told Influencing.  He added that the reworking of the Pickr website was an evolution.  “What kicked this off was the table of contents, which I tried to make work in its existing place before. Then after weeks of trying, I thought, ‘nah, got to redo everything.’ From that point, I thought, what else can I do?”  Accessibility alongside transparency, Stark believes, is one of the core themes of the website’s transformation.  “You're giving people different ways to consume your content. The logic being that most people will read an article. But

Digital news platform Newslaundry celebrated 14 years of independent, reader‑funded journalism on February 7, with journalists and media professionals sharing congratulatory messages on X. Co‑founder Abhinandan Sekhri, in a post, credited the platform’s survival and growth to the generosity and faith of thousands of readers. He also acknowledged co‑founder Madhu Trehan for trusting him early in his career and later partnering with him as an equal to build the organisation. “Few have such a large heart. Come build with us,” Sekhri wrote. Journalist and The News Minute co-founder Dhanya Rajendran praised Newslaundry for delivering journalism “with a dash of fun” while staying committed to its ad‑free, subscription‑supported model, urging readers to subscribe and support independent reporting. Naresh Fernandes, editor of Scroll, also congratulated the team, noting the value of collaborative projects with Newslaundry and wishing them many more succes

The Press Council of India (PCI) has issued a notice clarifying the procedure for obtaining a “No Dues Certificate” (NDC), cautioning publishers and newspaper owners against depositing levy fees online without first confirming their actual outstanding dues. In its advisory dated February 6, 2026, PCI said it had observed that some publishers were making payments through the PCI website payment gateway without ascertaining the exact amount payable and then seeking issuance of the NDC. The Council advised publishers who have not received a formal Demand Notice to contact the Levy Section before depositing levy fees, to confirm the precise amount due for their newspaper or periodical. PCI also stated that the 'No Dues Certificate' will be issued only to those publishers who have cleared all outstanding dues in full. Payments made in instalments or partial payments will not qualify for issuance of the certificate. For further clarification, publishers may contact the PCI Levy Sec

The South India Journalists Union (SIJU) has strongly condemned the growing attacks on journalists, saying media workers, especially in small towns and districts, are facing increasing threats, harassment and job insecurity amid worsening working conditions. In a statement issued on feb 4, SIJU said journalists are being forced to work for meagre salaries while taking serious professional risks, yet continue to discharge their duties with commitment. According to the Union, journalists working with 24/7 news channels and digital platforms in many districts are being subjected to pressure, intimidation and arbitrary employment practices. Media organisations, it said, are increasingly prioritising profit over people, leaving journalists vulnerable and unsupported. The union also cited recent instances where several journalists were removed from service without any proper explanation, creating fear and anxiety among reporters and camera persons across newsrooms. “Journalism is not

Yes, it seems the Pope is coming down-under, at least according to an exclusive by Josh Hanrahan which truly graces the front page of today's Daily Telegraph ('AMEN, SYDNEY'), complete with a pic of the waving pontiff. It's big news for Catholics, and anyone else who likes a spectacle, given there has been no papal visit to these shores for two decades, so Hanrahan reports. The visit is slated for 2028.     Also visiting, and it begins today, is the somewhat contentious arrival of Israel's president, Issac Herzog, for a four day trip to visit folks grieving over the Bondi attack which left 15 Jewish people dead. The Australian goes big on this with a main exclusive story (Plea for 'calm and respect') by NSW political correspondent Lachlan Leeming. The journo sets the tone in the first para: "Bondi beach massacre survivors have implored the nation and left wing activists to treat the visit of Israeli president Isaac Herzog wi

  There was a time when every photograph demanded patience. Before digital cameras, before instant uploads and breaking news alerts, photojournalists worked with film, light meters, and darkrooms. Every frame cost money. Every mistake stayed. And every image carried intention. Senior freelance photojournalist Prashant Nakwe remembers those days clearly. “Film slowed you down and that was a good thing,” he says. “You didn’t just lift the camera and click. You’d first ask yourself, is this really worth a frame?” In the darkroom, mistakes couldn’t be undone. You learned to respect light after burning or underdeveloping a negative and realising there was no undo button. That discipline, Nakwe says, still shapes how he shoots today. “Even now, with all the technology in the world, I don’t blindly trust the camera. I trust my eye first. Film trained us to think before shooting. That’s something digital photographers have to consciously relearn.” In the film