The Ministry of Information and Broadcasting has proposed policy guidelines for Television Rating Agencies in India, which was initially notified on January 16, 2014.   In an order circulated on July 02, 2025, the Ministry has sought feedback on the proposed amendments from the general public and stakeholders within 30 days.    According to the order, the revised clause 1.1 states that any applicant seeking registration to provide television rating services should be a company registered in India under the Companies Act.   Clause 1.4 has been substituted to prohibit any activities like consultancy or any such advisory role that may conflict with its primary objective of rating.   The Ministry has proposed the deletion of several clauses from the original policy. Clauses 1.5 and 1.7 of the guidelines and a related proviso have been deleted.   These revised norms will come into effect immediately and apply to new entrants as well as existing registered companies.

News18 Lokmat recently hosted the Samruddha Maharashtra 2025 conclave, bringing together ministers, policymakers, entrepreneurs, and artists to discuss the state’s growth agenda. The event opened with a panel on Maharashtra’s future, featuring young leaders like Meghana Bordikar and Shaina NC, who spoke on youth, innovation, and sustainability. Aaditya Thackeray shared his vision of the “Maharashtra Pattern of Politics” focused on transparency, inclusiveness, and youth participation. A political panel with leaders like Jitendra Awhad and Uday Samant discussed collaboration across party lines. On the economy, business leaders and economist Ajit Ranade highlighted the role of entrepreneurs in driving growth. Cultural icons Mahesh Manjrekar and Om Raut spoke on how cinema and theatre shape the state’s identity. Deputy CM Eknath Shinde and CM Devendra Fadnavis shared key policy and development plans.

After a somewhat underwhelming start, 10 News+ is hoping to reverse the low viewer figures it saw for the program that has replaced the much-loved The Project, in part by bringing on board journalist and ex-host of The Project, Georgie Tunny.  As 10 points out, “well known and loved by Australian audiences as a host on The Project, Georgie quickly became one of the country’s most engaging and versatile broadcasters. Her background spans ABC, Flash, Fox Sports and national radio, covering everything from breaking news to major entertainment events, including interviews with icons Sir Paul McCartney, Tom Cruise, and Formula 1 champions Max Verstappen and Daniel Ricciardo.” Tunny’s love of sport has seen her report pitch-side with the Matildas' Lydia Williams, co-host the Two Good Sports podcast, and travel to the US as part of the IVLP Fellowship for leading female sports journalists.  She’s equally comfortable in the thick of a crisis, having anchored the ABC’s rollin

After attending last month’s Queensland Games Festival, Qualbert Founder and Editor, Dr Ben Schuster, said  fishing game Cast n Chill is the one to watch.  Schuster told Influencing, “I was excited about Cast n Chill – a cosy fishing game with stunning pixel art, some of the best I've ever seen, made by a developer in Brisbane and another in Melbourne. They also recruited pixel artists from Canada, who have brought the Canadian landscape to life in the game.  “It's been extremely popular and was released a couple of weeks ago. “I played through the entire game, and another update is scheduled to drop later this year. It's fantastic to see a local game receive international recognition. I’m keen to see more of Cast n Chill in the future and am stoked for the developers.” But Schuster’s favourite game from the festival was Broadside Games’ Chunk, an action-adventure game.  This was the 11th year of the festival and the third under this new title. Held on June

Storyboard18 conducted the Digital Entertainment Summit on June 27, 2025, at The Leela Palace in New Delhi.  Speaking at the summit, Dr L Murugan, Minister of State for Information and Broadcasting and Parliamentary Affairs, emphasised how India has transitioned from being a consumer of global entertainment to a creative powerhouse, highlighting the nation’s growing influence in global digital entertainment.   Underscoring India’s capabilities in digital storytelling, production, and technological innovation, Murugan highlighted the Indian government’s role in fostering the digital entertainment ecosystem, mentioning support for talent development, infrastructure, and policy initiatives that position India as a key player in the global media landscape.   He also spoke about online gaming’s rapid evolution, with over 500 million players, AVGC-XR, and the role of government-led initiatives like WAVES 2025 and the Indian Institute of Creative Technology in nurtu

Image source: Newslaundry, ET and Internet Freedom; Edited by Dinesh Raj M   The Karnataka Mis-Information and Fake News (Prohibition) Bill, 2025, a sweeping legislation empowering a committee of lawmakers to identify and label content on social media as "fake news" -- a first of its kind state legislation -- appears to be an exercise in curbing free speech in the garb of eradicating fake news. For instance, according to the proposed law, fake news includes content that is “anti-feminism” and “disrespect of Sanatan symbols” and any social media users, if found guilty by the concerned “Authority” for posting fake news on the social media platform shall be punished with imprisonment which may extend up to seven years and fine which may extend up to Rs 10 lakh or with both. That “Authority,” under Section 5 of the Bill, includes the Minister for Kannada and Culture Information and Broadcasting as the ex-officio Chairperson; one member each from the Legislativ

Travel journalism is undergoing a sharp transformation as social media rewires how people explore the world. The rise of influencers, reels and short-form content has reshaped the traditional role of the travel reporter, once grounded in immersive, narrative-led storytelling. Speaking to Influencing India, Aakanksha Rapolu, Feature Writer at 11 Eleven Media, said: “The decline of print media and the rise of social media have reshaped travel journalism. Today, access to the internet is easier than ever, and people prefer fast, visual content over long-form articles.” She added that editors now expect journalists to match influencer speed and reach. “Influencers reach wider audiences faster, often without limitations. They earn more, enjoy creative freedom, and don’t have to stick to editorial guidelines.”  Rapolu believes that deeply researched travel writing is increasingly rare. “In the last five years, influencers have largely replaced travel journalists, moving from